The singer has come full circle, returning to his roots and staying true to himself, and it shines through in this project where he seamlessly blends his different personas into a relatable and captivating whole.
Over the years, this exceptionally talented singer-songwriter has evolved, continuously sharing glimpses of his life at various stages. From an innocent lover boy to a rising star, navigating wealth, global recognition, personal struggles, and self-discovery, his music has mirrored this journey. With his debut album Laughter, Tears & Goosebumps, the world was introduced to a 23-year-old breakout star whose reality was centred on love, emotions, and fantasies. A year later, following chart dominance, awards, newfound wealth, and the challenges of fame, his sophomore albumAPOLLO reflected a shift from fantasy to reality. Fireboy began to explore themes of lust, sex, self-awareness, and introspection, as seen in tracks like ’24 (Interlude),’ where he grappled with the pressures of life in ‘Airplane Mode’ and even touched on the subject of mortality and legacy in ‘Remember Me.’
Fast forward two years, and the now 26-year-old artist has spent three years navigating the highs and lows of global stardom. His experiences have shaped him, as he candidly admits in the opening track ‘Change’ from his third album, Playboy. As the album title suggests, the once soft-hearted Fireboy has transformed into a more hardened version of himself—a “Yoruba demon,” as it is called —navigating a world that has toughened him. He’s become more carefree, indulgent, and detached from emotions, and for the sake of his sanity, he’s decided to embrace the wild ride, even documenting his experiences with vices like MDMA in ‘Peru.’
Now, five years into his superstar journey, Fireboy has seen it all. He appears to have a deeper understanding of himself and life, leading him to embrace his multifaceted identity. His latest album, titled Adedamolaafter his real name, represents this synthesis of his different personalities into a cohesive, authentic whole.
The album opens with ‘Iseoluwa,’ a groovy yet reflective track that translates to “the wonders of God” in Yoruba. The song’s elegant introduction features the omele (a baby talking drum) flanked alongside the gangan (talking drum), creating a Selense or Jenleke vibe, meaning it’s not overboard, calm, but filled with enough rhythm to keep you shaking. Fireboy’s delivery is swift and focused, expressing gratitude, self-reflection, and optimism: “Life has been good to me; I do not take this with levity,” he declares. The track, produced byBassiqally and Nxrth (Fireboy’s brother), is enhanced by soothing female backup vocals sprinkled across and a magical saxophone performance, making it a perfect intro and an instant Fireboy classic.
Source:Notjustok
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